in Latinas in the Industry Mentorship: The Difference Between Advice and Someone Saying Your Name in a Room
NALIP and Latino Public Broadcasting were founded because the industry was not building a pipeline. How mentorship actually works, and why sponsorship matters more.
in Latinas in the Industry Latinas on the Festival Circuit: How Real Women Have Curves Got to Sundance
Real Women Have Curves won at Sundance in 2002 and entered the National Film Registry in 2019. How the festival circuit works and how Latina filmmakers use it.
in Latinas in the Industry Latinas in Producing: Elizabeth Avellan, and the Chair That Decides What Gets Made
Elizabeth Avellan co-produced El Mariachi for a reported $7,000 and built a studio career from it. What producers actually do, and why the chair matters so much.
in Latinas in the Industry Latina Founders: Why So Many of Us Ended Up Building the Company Ourselves
Christy Haubegger built Latina magazine because the audience was unserved. Why Latina filmmakers so often found their own companies, and what it actually takes.
in Latinas in the Industry Latinas in Broadcast News: The Network Built for an Audience Nobody Wanted
US Spanish-language television began in San Antonio in the 1950s and grew into Univision. The history, the anchors who shaped it, and how newsroom careers actually start.